![]() ![]() Photography & Culture: Theorizing New Photographies in China. "Extension of Meanings: Text and Image in Contemporary Chinese Photographic Works". It Is Almost That: A Collection of Image & Text Work by Women Artists & Writers. Photo Text Text Photo: The Synthesis of Photography and Text in Contemporary Art. ![]() Hapkemeyer, Andreas Weiermair, Peter, eds.Theresa Hak Kyung Cha (Korean American, 1951–1982).Notable artists who work with photo-text This process involves the viewer incorporating or devouring the content, temporarily blurring the line between the written and visual components. Before this "third something" takes shape in the observer's mind, the images and text must be assimilated by the mediating organ of the eye. Ultimately, it is the viewer who "makes sense" of photo-texts. The continuous shift between observing the images and reading the text results in the development of a conceptual entity known as a "third something," which exists solely in the mind of the reader/viewer. This dialogue, described as the "interpenetration of images and words," serves to enhance the narrative potential of each medium. In the realm of photo-texts, photographs and words work together, forming a "dialogue" where neither medium can escape the interplay. This dual engagement fosters the creation of new meanings while maintaining separate importance for both the photographic images and the written text. The juxtapositional nature of photo-texts requires that they be simultaneously read and viewed together - an intentional coexistence. ![]() Photo-text has been classified as a "bimedial iconotext," wherein both photographic images and textual elements coexist, forming a cohesive body of work presented in the context of a gallery space or book. The summer photography festival Rencontres d'Arles gives a Photo-Text Book Award at each annual event. Notable examples of photo-text art include Martha Rosler's The Bowery in two inadequate descriptive systems (1974/75) David Askevold's Muse Extracts, exhibited at Documenta 6 in 1977 Carrie Mae Weems' Family Pictures and Stories (1983) Lorna Simpson's installation Guarded Conditions (1989) and Martha Wilson's I have become my own worst fear, first presented in 2011. This combination allows for a multi-dimensional experience for the viewer. Photo-text, also written as photo/text, is a hybrid form of artistic expression that combines photography and textual elements to convey a message or create a narrative. An example of photo-text installation, in which a series of black and white photographs are shown alongside six engraved text plaque. Hybrid form of artistic expression "Twenty Questions", by Lorna Simpson. ![]()
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